Touch and Kiss a Stranger

Touch and Kiss a Stranger
Her eyes are still beautiful, even though they’ve seen everything.

***

Typical. Thursday afternoon, not a cloud in the sky. The coffee had two shots of nicotine. There hadn’t been a cloud this far south for over a year. Yavneh sitting opposite me, floating.
In and out of the dreamstate.
She moans from way off. I relax, let the dream happen: a halo falling from the sky. I don’t know exactly what a halo is, associate with the saints.
Her eyes drift opaque, the dream slides from her fingertips, angry with me: if a halo screams like a demon. I let that thought wander off, not knowing that much about demons. Her eyes still not used to their protective film.
The opaqueness driftdeepens.
I’m saving my eyelids until they came back in fashion. She’s had her eyeballs tattooed as well, with shimmering blue tuna fish. The rest of the world chose the whale for extinction.
-Didn’t they used to spend their life in a can?
I’m unsure who asked that question. The caff is split down the middle, full to the brim, with more than its fair share of puppet-thought. The kind of low signal telepath that crawls out of the gutter at sunrise.
I flick on the jam. Way off in the distance she smiles. She doesn’t care about them, doesn’t need to, never has. They can’t make sense of her thoughts anyway. It amuses her, my reliance on tech countervention.
From the distance she lets me hear the image she glimpsed in her mind. That’s one meaning of fate, to know something you can never forget. To know it so much that its real. I fall out of her dream and tune back to the floor.

Nothing’s happening. A couple of kids throwing darts at the wall. One half of the bar on a blind date. I don’t know why that name’s stuck. You have to kiss each person in turn, then kiss them again in random order with your eyes closed, with the jam on. Then you go to a booth, fuck the person you find there. I tried it once, discovered I didn’t have a fetish for dwarfs.
Further down there’s a clump of dogpunk biker dudes, selfstyled lowest of the lowlife. That’s their motto anyway, the only running dogs that ride on the ground these days. Old skool, leather grown on a cow, canine implants inspired by the earliest science fiction. In a world of their own they’re even more on their own, but then everyone’s getting like that these days.
The scene bored me, blipped 5 ekuus to cover the bill, got up to leave. The waiter caressed me in recognition of payment. He was too anodyne to be attractive, libido-lite in the popular phrase, nice body though without overkill, biceps excepted. One grade from the cheap end: plasticised aluminium. Probably he was saving for the nanotech organics.
Very slowly Yavneh kissed her black teeth.
The waiter wasn’t her type either, no-one was. She twisted around in her coffee cup while me and the biceps exchanged pleasantries. She had a knack of listening, even when she wasn’t, which was most of the time. The biceps gave me their booth address.
Her not listening turned suddenly into waking up. That’s her habit. The tuna fish tattooed on her eyes looked like they were swimming, like there was an ocean in there with the wind gathering the waves. The kind of eyes that have existed from the beginning of time, the kind men and women have for centuries dived into.
-You’re gonna volunteer, Saffron and the rest of the crew?
I let the waiter finish kissing me before I replied.
-That’s what I spent the last hour trying to tell you.
-Volunteer, as in volition, like nobody’s making you?
-Volunteer, as in haul our pert, shapely asses over to the volunteer bureau, list our names on the volunteer sheet, voluntarily take the medical, followed by a voluntary stint on the tour. We even volunteered for payment. Can’t say more social responsibility than that.
Even though she’d woken up she hadn’t changed her expression. As far as emotions were concerned she only deals in collateral. I’ve never been convinced. If you have your tear ducts removed and half the nerve endings on your face.
The waiter was caressing someone else now, retro having taken his shirt off. His body hair had been electrolysed. Not liking his slick look I erased his address from my databank.
-The assignment is lunar treble one point one, intersection point six. There’s an initial registration of 8000 ekuus; reimbursed midpoint tour. You’ve got time to make application for your departure rights to be reinstated. So, what you sayin?
-That kind of volunteer.
She was starting dreamstate again. The opaqueness in her eyes came back and quivered. I slapped the side of her face, the right side. The side with the most nerve endings.
-You can go back to strangeland in a minute. What’s the news with the tour, you in?
She pushes her coffee towards me, waits until I take a sip. Coffee’s a misnomer, its mostly nicotine. The experience makes me nervous. Apparently alcohol is an even older drug, people have been manufacturing it since before we even learnt how to write.
Her eyes reflect the colours of the darts as they whimper in the hands of the kids.
-Tell me it’ll be fun. The tour’s on the dark side, no? A year is a lifetime in darkness. You know what that’s like, that kind of darkness? Its like a stranger you take to bed every night and never get to know. A lifetime in darkness with eight human souls, everything you own in a little black case. Saffron likes speeches so this is my speech:
In the company of the Tiamat. Who’s fucked up craziness is that? You’ve not been in proximity, have you? I have. There’s no other way to describe it, their smell. Can you imagine smell? Even you can you can’t imagine that smell. Unearthly, we can’t even manufacture it. Remember what happened when they first grew a human ear on a mouse?
That wasn’t the question I’d been preparing myself for. I searched my databanks, futile I knew because I tended to only store relevant information.
-That’s, um…
-Not in your relevant information.
-Well, yeah. My instruct didn’t include history on the curriculum.
-You have no idea, erase the past you erase the future.
-Yavneh, nobody does history. Well, one kid in my intake. They found him on the freeway. Hence the saying, history is history.
The opaqueness began widening. I didn’t want to slap her again.
-The answer: it was deaf. The ear that is, the mouse could hear perfectly well.
It was deaf. I repeated the sentence to myself. Not unlike saying the first prosthetic leg couldn’t feel. Or the first heart donors still needed their hearts. Technically, of course, some of them did. She didn’t bother listening in to my thoughts, the window more interesting.
The ocean lay as always on the other side, slowly evaporating.

Comments

Kite strings

I read this in a strange order: first I read everyone's comments. Then I read the actual piece. I think maybe reading everyone's comments helped me because I found it relatively easy to follow,which is most unusual for a Martin piece! I've written sci-fi myself and know the difficulty of the genre. This text succeeds magnificently. I like the development of the relationship between what appear to be the two main characters. The danger will be in the further development of the characterisation. The 'Marlowe' type character has been done quite a lot and relies on a 50's idea of the male psyche / the way men think and see the world. Martin's character would need to be not Marlowe - more distinctive and original to carry the story of a novel... if this is what the piece will become! Now am I holding thin air, or kite strings lol (see Vijay's comment)!

Marlowe and the male psyche

Interesting ! I didn't necessarily read the character as male (though it could have been) - but this would twist the 'marlowe-ness' a little further if the narrator was female and a little marlowe-like.

I like the ambiguity myself! It was making me think a little of 'Billie' in Jeanette Winterson's 'The Stone Gods' which I read recently.

I liked this version - read

I liked this version - read as much more of a cohesive whole than previous versions.

What worked well for me
- narrators voice - strong specific - almost like a futuristic Phillip Marlowe - observational, jaded but with a modern (future?) twist
- the balance of 'fantastic' and routine details - the telepathy and the almost pedestrian sexual encounters
- the notion of 'dreamstate' (prefer it without 'the' in front of it)
- the poetic nature of your writing
- that saffron got a speech cos she liked them - slightly self-knowing, in-control voice - but goes with the character of the speaker
- the comment about not having a dwarf fetish - understated in the context.
the last line

what worked less well
got confused with the dialogue with which was the narrator and which was saffron?

jury's out on:
- wasn't sure what they were volunteering for exactly apart from the dark side (not sure it mattered)
the title

look forward to seeing more of this!

Clare

point of departure

marlowe-esque a point of departure, more to get me into the piece.
is gonna (hopefully) eventually be a novel. for the character thinkin marlowe meets zen romantic meets shinto animism. will it work? who knows, but i'm gonna try n find out.

yeah, dialogue i know at times can be confusing. will tidy up.

what volunteering for will become clear later on, but as the characters both know no need at this point for them to explain.

title, was gonna be 'searching for some company' but might use that for dif chapter, along with 'feel the rhythm dance with me', 'too close for comfort, too close for joy'
familiar?

marlowe + a winning title!

you've got great ambitions for this character - look forward to the novel!

Personnally I like 'too close for comfort, too close for joy' - familiar? only from long ago hymns bringing 'tidings of comfort and joy'

p.s. think my kite's done a runner at this point

familiar?

bronski beat, hit that perfect beat. gonna get smalltown boy into it as well.

bronksi beat references

tell me why?? (!)

p.s. was listening to a poem by WH Auden recently and remembered that the Communards had put it to music - it was hard to hear the poem without hearing the Communards backing track in my head though

kite

Hi Martin,

Liked the economy of words and the description. Once I figured that this is science fiction it started to make sense. It would be good to hear from people who read or write science fiction, they could give you proper feed back. This thought comes to mind as regards to your writing, not just this piece- I might be wrong.

''Your writing is like a big shapeless Kite floating in the sky, and only you hold the string. You pretend to give the reader a string, so that they can also enjoy pulling the kite, but that's just an illusion. The reader is grasping at fresh air and wonders what the hell is going on. This gives you great pleasure, I know! But there's room for all kinds of writing, everything doesn't have to be the same.

The question you have to address is how long do you expect readers to grasp at fresh air? I read this a couple of times before I started to understand it- but again I'd like to hear from science fiction writers, I might be wrong on this.

to paraphrase the matrix

to paraphrase the matrix, there is no string

I'm out of my depth with

I'm out of my depth with your stuff Martin. Soon after I began reading this my thought was: 'altered state'.
I guess you'll comment on that if you can be bothered,,,

altered state

hi ed

wonder if altered state experience is cos sci fi so tryin to write a different experience of the world, which i guess is inevitably an altered state

Yes. Exactly right. All

Yes. Exactly right. All writing and artistic whatevers had better involve some altered state! or one may as well just look at a wall or the floor or something. There is a distinction though. You were just right.

Hi MartinI generally like

Hi Martin

Great title!

I generally like your work. It always makes me feel 'full', you give attention to the smallest unit and you write well technically.

I liked the first piece for what it was and there is nothing wrong with leaving a sense of mystery.

In this,I love the beginning and ending lines - wonderful!

I'm not sure how I feel about this ,maybe because I liked the other one more (draft I mean) but if this fits into 'flash ficton' then ok, fine. However, just one or two points:

'Who’s fucked up craziness ' is ' whose'

also 'her not listening ' is very odd.

I'm not an expert, just responding as a reader. I think you are trying to hard and have lost a lot in this whereas in the first there were many dimensions to it. I'm sure everyone else will disagree :-)